The Word
John 1:6-8, 19-28
There was a man sent from God, whose name was John. He came as a witness to testify to the light, so that all might believe through him. He himself was not the light, but he came to testify to the light.
This is the testimony given by John when the Jews sent priests and Levites from Jerusalem to ask him, “Who are you?” He confessed and did not deny it, but confessed, “I am not the Messiah.” And they asked him, “What then? Are you Elijah?” He said, “I am not.” “Are you the prophet?” He answered, “No.” Then they said to him, “Who are you? Let us have an answer for those who sent us. What do you say about yourself?” He said, “I am the voice of one crying out in the wilderness, ‘Make straight the way of the Lord,’” as the prophet Isaiah said. Now they had been sent from the Pharisees. They asked him, “Why then are you baptizing if you are neither the Messiah, nor Elijah, nor the prophet?” John answered them, “I baptize with water. Among you stands one whom you do not know, the one who is coming after me; I am not worthy to untie the thong of his sandal.” This took place in Bethany across the Jordan where John was baptizing.

Reflect
By Lisa Shaw
I’ve always felt wary of people who draw attention to their Christianity, but who judge, punish, and exclude others who don’t look or act like them. For me, announcing my faith feels too personal, evangelizing too imperious; like the Pharisees demanding answers to their questions. Indeed, even writing a devotional was a foreign concept to me before joining Westminster. In the church I attended as a child, it wasn’t practiced, leaving me to feel that maybe now I don’t have enough to say.
But my experiences over the years have opened my eyes and heart to other ways of doing things and new ways of thinking, new ways to bear witness. To me, God is less in pageantry, faithful Sundays, and recitations of the Bible and more in the small gestures of ordinary people, going about sometimes ordinary lives.
In our scripture reading, John denies being the Messiah. He is not the one to claim his righteousness or collect accolades for his work but embraces his role in welcoming and guiding others. In our world, particularly with our daughter Helena, small gestures by unassuming people live on in and around me: the ICU nurse who styled Helena’s hair while she lay unconscious in the hospital; the burly workman who approached us with tears in his eyes to give her a compliment; my friend who always remembers to leave flowers at our doorstep on Helena’s birthday. These individuals humbly walk among us, their voices, like John’s, quietly calling in the wilderness. Their efforts, more than grandiose proclamations or public displays of devotion, “make straight the way for the Lord.”
I am witness.
Listen
By Dr. Ben Hutchens
The Westminster Choristers sing a new setting of the traditional carol, “Adam lay ybounden.” It is a setting of an anonymous fifteenth century poem that speaks to the subject of original sin and subsequent redemption in the person of Jesus Christ. The premise of the poem is this: if Adam had not been tempted by Eve directly—and the serpent indirectly—there would have been no precedent for sin as we understand it; consequently, there would be no need for redemption. As such, the birth of Christ would not have been necessary as far as the Christian understanding of things is concerned. The sin of Adam constrained the development of humanity’s relationship with God for many centuries, until God himself became flesh and dwelt among us. Mary’s birthing of Jesus, as alluded to in the poem itself, allowed human beings to literally touch the face of God through his Son.
The carol was published in 2015 and popularized through its inclusion in the 2016 Christmas Lessons & Carols program at King’s College, Cambridge. The composer, Gaynor Howard, has been involved in music education throughout her working life. She has arranged and written much instrumental and vocal music for a wide variety of occasions and forces. Her setting of “Adam lay ybounden” is written for treble voices only—a perfect fit for our choristers. Listen for the juxtaposition of the angular piano accompaniment—executed beautifully by Christine Hagan—and the lyrical vocal lines sung by our choristers.








